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Sometimes in a work of art, you actually have to deny the audience the thing it thinks it wants the most.

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Do we really need a beacon telling us where we need to go at all times? As much as I might have wanted that sometimes in the original Metroid, it destroys the very aesthetic the series was founded on. But Metroid games have always been about Samus Aran alone on an alien world exploring while she tries to save the day. Which brings us to the crux of the thing - isnвЂ™t difficulty, especially in a game, sometimes a good thing? Now, IвЂ™ll be the last person to advocate a return to the days of passwords instead of cartridge saves. Although itвЂ™s difficult to judge such things, many accounts hold that thereвЂ™s more content in the remake, and it is simply the ease of access which allows us to fly through it with so much haste.

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And much of the ease of Zero Mission comes from improvements in the interface, which are more than welcome: save points instead of an awkward password system, an automapping feature, more forgiving controls and our protagonistвЂ™s ability to aim in other directions besides the horizontal. IвЂ™m sure if I applied myself today, I could beat it in significantly less time. Granted, the day I started playing Metroid was also my seventh birthday. And IвЂ™m not even particularly good at these titles. Somewhere between then and now, things got a lot easier, because it took me under 4 hours (both real and вЂњgameвЂќ time) to beat a remake of the same game. It took me over two years from the day I first started the original Metroid until the day I beat it. Unfortunately, instead of developing rich challenges to accompany the new style of play, the game requires you to repeat the same tricks until you grow entirely sick of them: this is the one portion of the game which I actually wished could be shorter. This whole segment plays much more like a stealth-oriented game, ala Rainbow Six or Commandoes. Using only a weak pistol (which can only stun, not kill, enemies) and none of the fancy power-ups youвЂ™ve acquired, itвЂ™s actually refreshing to be afraid of enemies in a Metroid game.

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She decides, without her suit, to infiltrate the Space Pirate mothership, leaving you, as the player, to figure out how to do so. After the point where the 1986 Metroid ended, Zero Mission continues to find Samus crash landing. To be fair, there is a section of M: ZM which breaks from the formula fairly significantly. Metroid Fusion gave us some actual character interaction and a few new power-ups which led to at least slightly different вЂњpuzzles.вЂќ M: ZM, on the other hand, feels like a very short expansion to either of these games. Super Metroid greatly expanded the breadth and depth of both the original setting (Planet Zebes) and Samus herself. Repeat this until the suit is very strong and you face-off with some big-bad boss monster, ending the game.Д«ut thereвЂ™s a difference between sticking to the formula and adhering to it as dogma. For instance, a small tunnel might require SamusвЂ™ patented вЂњMorph BallвЂќ power-up to let her roll under the obstacles. You explore until you find an area you canвЂ™t pass, then you keep exploring until you find the appropriate power-up for your suit that will let you through the previously impassable area. Our heroine, Samus Aran, starts on an alien planet in her power suit which, while strong compared to the native life forms, isnвЂ™t all that versatile. Now, Metroid games have always had a formula. Rather, M:ZM felt so hauntingly similar to some more recent entries in the series ( Super Metroid and Metroid Fusion) that I found myself exposing secrets I had no previous knowledge of out of habit. The twist here, though, is that Metroid: Zero MissionвЂs similarities to the 1986 classic Metroid didnвЂ™t faze me at all. When writing a review of a game that bills itself as a remake, the last thing I thought IвЂ™d find myself complaining about was that it was too familiar.

Metroid zero mission